Opera Praktikos’ Program for
Spoon
Theory
Cycle
Song
November 20 & 21, 2025 at
OPERA America | Marc A Scorca Hall
Today’s Program
The Spoon Theory by Christine Miserandino
read throughout by Eman Rimawi-Doster
I Want to be Soft by Lisa Neher
sung by Katharine Li
What They Say by Jude Duane
sung by Katharine Li
Speak to Me (Talk to Me) by Drew Swatosh
sung by Marcel Sokalski
The Monster by Nina Shih
sung by Katharine Li & Marcel Sokalski
Wood and Metal, Tea and Table
by Spencer Edgers & Elizabeth Howell
sung by Marcel Sokalski
When Skies are Grey by Jaquay Smith
sung by Katharine Li
Drifting Light by Ethan Resnik
instrumental
A message from OPrak’s Artistic Director Greg Moomjy
My introduction to Spoon Theory was first hearing the phrase; “I’m all out of spoons.”
While I understood the obvious implications, the metaphor of spoons confused me. I have come to realize how perfectly the metaphor expressed in Christine Miserandino’s essay encapsulates the daily life of a person with a disability (PWD). While some will go into specifics about spoons being a measure of energy, the basic tenant is; as a disabled person you make choices to get through your daily life that people who are not disabled don’t have to make. Each spoon represents a choice.
For me, as someone who needs care assistance to get through each day, there are several types of choices that spoons can represent. It could mean deciding the best way of getting to an appointment or it could mean meditating a little bit so as to not get too annoyed at the world when the elevator to the subway doesn’t work.
Miserandino’s essay spoke to me in a way no other disability blog ever has and I realized I now had language to express how I’m doing to someone who may not fully grasp my present-day situation.
This is a common experience for PWD’s and why we choose to create a song cycle around Spoon Theory. What attracts me to this essay--and makes it so operatic--is that it takes us on an emotional journey through a day-in-the-life of a PWD. Of course an obvious emotion is disability-grief, which is quite common, but there is also disability-joy, disability-rage, even disability-silly! What resonates most powerfully for me is the final scene when Christine’s friend truly gets a taste of what life is actually like with a disability. It is profoundly moving and brings them closer as dear friends.
For me, this is the metaphorical Extra Spoon that she talks about at the end of the essay. At OPrak our mission is to make sure everyone has what they need to enjoy a performance and be part of making community happen. It is my hope that you better understand disability-culture and experience the contribution it makes every day in our world. Thank you for being here.
GM
What They Say Words & Music by Jude Duane
I don’t want them in my class.
It takes too long for them to ask.
Do they ever really pass?
My class is for smarter kids
who will tear him right to bits.
No one will benefit.
I don’t want them in my class!
I don’t want them in my class!
I don’t want to deal with them.
It’s strange, the way they move their limbs.
Don’t care if they feel victim.
Let their mother cause a din.
I’ll prevail in any run-in.
Not an athlete, never been.
I don’t want to deal with them!
I don’t want to deal with them!
Oh, they should go make some friends.
It’s not hard as they pretend.
It’s their parent’s fault they don’t blend
And all this paperwork that she sends.
Don’t have time to read it? They attend.
Special ed? Their parents contend.
If they tried, they’d start a trend.
They should just go make some friends!
They will not get to participate.
They often walk slow and come in late.
Trying to get them to improve their gait.
Put them on the bench and make them wait.
Parents should check their hearing and vision.
They won’t get the Ritalin.
They don’t get to participate.
They don’t get to participate
I Want to be Soft Words & music by Lisa Neher
I want to be soft
like a moon snail outside its shell
like the underbelly of a porcupine.
I’m run down from resilience
camouflaging as confident
walking under the weight of a carapace.
mask on, defenses up.
The arboreal salamander breathes through its skin
water circulates through the pores of the sponge
I want to be permeable, like that.
Text & Lyrics to today’s works
Speak to Me (Talk to Me) Words & Music by Drew Swatosh
Speak to me of things and I will listen,
There are things I’m not telling you.
I have invisible struggles
that I feel the need to mask.
Just let me be soft and vulnerable.
How do I take up space
when the world left me behind?
Just let me be soft
and vulnerable.
Let me live my truth!
Please god just let me be!
Don't deprive me my humanity.
How can I live my truth?
It's messy, but me.
Wood & Metal, Tea & Table
Words by Elizabeth Howell | Music by Spencer Edgers
In my depression, I’m learning to ration my days in spoons,
a mixture of work and leisure, wood and metal, tea and table.
I carefully measure, but what can I do with twelve spoons?
It takes...one teaspoon to get out of bed.
two wooden spoons for breakfast.
I already feel the dread.
Three tablespoons for chores, before I spend four of my finest spoons on work and a commute,
But this doesn’t compute.
I only have two spoons left and I haven’t even showered yet.
Should I give cutlery Or perhaps pottery?
Here, Mom, is a plate, I am running late.
Here, dear friend, is a knife, I can’t make the drive.
I need to rest.
I should invest in more silverware.
It might relieve some despair.
Despite meticulous planning, there is always more to do.
I could borrow from tomorrow, but I’ll be left with fewer spoons.
I’m trapped in a bag of bones, feeling suffocated and entombed.
In my depression I’m learning the journey of self-compassion,
and accepting limitations.
I have twelve spoons.
I must weigh my options:
wood and metal, tea and table,
a mixture I’m trying to measure.
The Monster Words & Music by Nina Shih
Have you heard of the monster?
When it’s early, not even day,
He is waiting while you’re finding a way
To bring your dreams into the light.
How can you dream now?
You’d strive for it all
But you’d crumple and you’d fall.
Somehow you have to choose them,
The dreams that will leave and will stay.
You only have but a dozen a day,
For he will take the rest away.
Have you heard of the monster?
He is hungry, blood on his clothes,
You’ll be gone and you won’t even know
Because the monster’s here tonight.
Can you see there’s the monster,
He’s going to steal all of your dreams
He’s going to whisper softly, sweetly
‘Till you fall asleep.
You’d strive for it all,
But you’d crumple and you’d fall.
Somehow you have to choose them,
The dreams that will leave and will stay.
You only have but a dozen a day,
For he will take the rest away.
Have you heard of the monster?
When it’s early, not even day,
He is waiting while you’re finding a way
To fight the darkness of the night.
How can you dream now?
Somehow
Somehow
Somehow
When Skies are Grey Words & Music by Jaquay Smith
When skies are gray - When skies are gray
It won't be long now
Will the sun shine again
Is this the end of joy now now now
Will I ever smile again, again now
Dusk or dawn Day goes on and on
And on and on and on...
When skies are gray - When skies are gray
Will I be strong now
Or will I keep sinking down down down
Can I progress now
Or will I regress til I'm nothing, no one
Can I let go again, again now
Same old song
Life goes on and on And on and on and on...
When skies are gray
Drifting Light Music by Ethan Resnik
An instrument work for piano treo
Composers/Librettists
Lisa Naher – jel;rjeiofj;i
Jude Duane is a composer and sound artist whose music has been performed by ensembles such as the Kompass Ensemble, newCELF, Sputter Box, and the Bergamot Quartet. He has been a participant at leading contemporary music programs including New Music on the Point, the Summer Institute of Contemporary Performance Practice (SICPP), and Divergent Studio. Jude is also a professional archivist with current work at the Ironbound Community Corporation and prior experience with Cengage and the Institute of Jazz Studies.Website link: www.judeduane.com Instagram: @juded17
Drew Swatosh (they/them, “SWAH-tahsh”) is a Portland, OR-based composer, vocalist, and multi-instrumentalist. Drew’s commissioners include the Seattle Opera Creation Lab for a trans/non-binary retelling of the myth of Icarus and Daedalus; choral educator Stephanie Bivins; Big Mouth Society; the Vancouver School of Arts and Academics Music Department; the Fear No Music Young Composers Project; Lisa Neher; and vocalists Stephanie Lamprea, Marguerite McKean, and Carolyn Quick as part of the Dead Fires Anthology for Solo Unaccompanied/Self-Accompanied Voice. Their awards include the WMTA Student Composers Awards and Portland Symphonic Choir’s New Works Competition. They are a co-founder of the PNW gender-diverse composer and music distribution collective, Raindrop New Music, a voice/composition student of Lisa Neher, and sing with Portland Symphonic Choir and Big Mouth Society. www.drewswatosh.com @auralcomposting on Facebook, Instagram, and Bluesky.
Nina Shih is a current student at Cardozo Law School who recently graduated from Princeton University as a history major and violin minor. Her experience with music comes largely from her violin background. She started playing the violin when she was three years old and was a part of the Peabody Pre-Conservatory Violin Program in high school. In 2022, she studied abroad at the Royal College of Music in London and took composition classes along with orchestra, chamber, and solo violin classes. She acquired the bulk of her composition knowledge from music theory courses taught by Professor Donnacha Dennehy at Princeton University. In her free time, when not studying law, history, or violin, she loves to oil paint, sing, and cook.
Spencer Edgers is a composer, arranger, and multi-instrumentalist whose work spans opera, film, multimedia, and chamber settings. Based in Juneau, Alaska, they have premiered works including The Dust Gets in Your Eyes, Everything After with Seattle Opera, and Little Things with Theater Alaska and the Orpheus Project. Their music seeks to rewire listeners’ minds through new sounds and forms. Their current project, Black Rock USA, is a 70-minute, two-act opera exploring queerness, cultural identity, and labor rights in a fictional 1890s mining town.
Elizabeth Dick Howell is a poet and librettist. She holds a master’s degree in poetry from Seattle Pacific University. Her libretti include Everything After, premiered in Seattle, WA, and Little Things, premiered in Juneau, Alaska. Her poetry has been published in various online and print journals. Her website is elizabethdick.com
Jaquay Smith – A Jamaican-American from Prince George's County, Maryland with a passion for God and music, Jaquay Smith is a storyteller, wrapping big ideas and concepts into small bite-sized packages. Smith holds a BA in Economics from University of Maryland College Park and a MFA in Music Composition from Vermont College of Fine Arts. musicmatterswithjaq.com
Ethan Resnik is a composer and pianist who holds a Bachelor of Music degree from the Eastman School of Music. He is currently pursuing his Master of Music Degree at Rice University. His music has been performed and recorded by ensembles including the Four Corners Ensemble, HYPERCUBE, Sandbox Percussion, American Modern Ensemble, Transient Canvas, Eastman Horn Choir, The Rhythm Method String Quartet, Tacet(i) Ensemble, Quartetto Zuena, North/South Chamber Orchestra, Akron Symphonic Winds, and the Mettis String Quartet. Ethan has placed in numerous contests for composition and piano. https://www.ethanresnikcomposer.com, @ethresnik on Instagram and @ethanresnikmusic on YouTube.
Performing Artists
Kyle Glasgow – Music Director / clarinet: A clarinetist, teacher, producer, and repair technician, Kyle’s artistry is as multifaceted as his musicianship. Based in New York City and the DMV area, he has performed across the United States and throughout Belgium, France, Spain, and Austria. In the past year, Kyle performed a leading role in Scott McAllister’s X Concerto and Ofer Ben-Amots’s opera The Dybbuk, Between Two Worlds. A passionate advocate for new music, Kyle is currently founding a clarinet commissioning consortium with the goal of expanding the instrument’s repertoire through ambitious, cross-genre collaborations. He has premiered numerous works, including CopyCopyCatCat, a clarinet-cello duet written for him by acclaimed cellist/composer Clancy Newman. He continues to champion emerging voices and works to bring fresh, forward-thinking sounds to life. https://www.kyleglasgow.com/
Sunny Zhi –Canadian pianist Sunny Zhai seeks to connect diverse audiences through musical expression of honest human emotion and experience. Sunny has been involved in many solo and collaborative projects, and has performed in major venues in Toronto and New York, including Weill Recital Hall at Carnegie Hall, Koerner Hall and Roy Thomson Hall. In the spring of 2025 she served as pianist for the Mannes Sounds production of The Dybbuk by Ofer Ben-Amots, presented at the Center for Jewish History. Sunny completed her Bachelor of Music in Piano Performance at the University of Toronto and her Master’s degree in Piano at the Mannes School of Music in New York. She is thankful for the teachers who have guided her along the way, including Dianne Werner, Marietta Orlov, Lydia Wong, Steven Philcox, and Simone Dinnerstein.
Mercedes Yvonne Lysaker – Cello
Katharine Li – Soprano (she/her) (Plainsboro, NJ) is a singer, artist, and writer. She is based in New York, NY and performs a wide range of vocal repertoire including opera, art song, early music, and contemporary music. Her recent credits include Leah in The Dybbuk (Mannes Sounds Festival), Farinelli’s Trainer in Vinkensport, or The Finch Opera (Mannes Opera), and Zerlina (cover) in
Don Giovanni (Mannes Opera). She also draws, paints, and writes verse and prose. She holds a B.A. in English from Yale University, where she graduated magna cum laude, and an M.M. in Voice from the Mannes School of Music, winning the Mannes Dean’s Award in 2025.
Marcel Sokalski is a Polish-Canadian baritone who has sung roles including Paul in Empty the House, Bassett in Rocking Horse Winner, Dandini in La Cenerentola, William in The Fall of the House of Usher, Plagio in I due Figaro, Demetrius in A Midsummer Night’s Dream, and the title role in Gianni Schicchi. He’s also performed as Papageno in Die Zauberflöte, Don Giovanni in Don Giovanni, and Alidor in Cendrillon. A district winner in the Metropolitan Opera’s Laffont Competition 2022, Marcel sang with Opera Maine, the Banff Centre, and the Chautauqua Institution, and holds a Master of Music and a Professional Studies Certificate from the Manhattan School of Music. Outside the opera world, Marcel is the Marketing Manager for Sofar Sounds NYC, where he blends music, storytelling, and social media. He runs a TikTok account (@themarcelmovement), making fun videos about choir life, singing, and his own experiences in the arts.
Eman Rimawi-Doster – Performance Artist
Jennifer Gordon – A soprano & arts administrator in the Mentors Program for Women Administrators through OPERA America.
Anne Beal - an award-winning multimedia artist who merges animation, painting and sound. https://annebealanimation.com/
Dan Wright – a professional performing arts photographer with 10 years in the field. https://www.danwrightphotography.com/
OPrak STAFF
Jennifer Gordon – Production Manager | Marcel Sokalski – Social Media | Greg Moomjy – Artistic Director
Marianna Mott Newirth – Executive Producer | Anne Beal - Graphic Designer | Dan Wright – Photographer
THANK YOU to our Champions!!!
Carol Leibner & Gregory Moomjy
for your support in making this program possible!
Opera Praktikos received operating support from OPERA America’s NYC Opera Grant: Supporting Small-Business Organizations, supported by the Howard Gilman Foundation
OPrak’s founding Board of Directors
José Carlos Jalandoni – President | Gregory Moomjy – Vice President
Nadine Moomjy – Treasurer | Marianna Mott Newirth - Secretary
Be our champion as we start our fifth year of operations in January
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